filmmaker's diary

Wednesday, June 9, 2021

MILTON MOSES GINSBERG

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Milton Moses Ginsberg - a filmmaking hero, mentor and dear friend - passed away on May 23.     I’ll miss reveling in Milton’s insights on mo...
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Thursday, June 4, 2020

REFLECTIONS ON THE PAST, PRESENT AND FUTURE OF EDITING IN ISOLATION

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Teaching film editing at University of North Carolina School of the Arts this semester, I felt almost guilty after spring break, because th...
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Wednesday, August 14, 2019

THE ROLLING THUNDER REVUE

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When luminous imagination      Wrapped Truth in Fiction’s airy fold,       Then life’s blood flowed throughout creation,       And, w...
Tuesday, January 29, 2019

CRYING BIG GAY TEARS

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     I usually hate receiving emails from students on weekends. But I loved this one: “Just finished watching Boys on the Side ,” it said. ...
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About Me

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Michael R. Miller
Michael R. Miller has had a dream career in film editing. After graduating from Cornell University, he landed the plum job of assistant editor on Woody Allen’s MANHATTAN. He worked in the same capacity on Mr. Allen’s STARDUST MEMORIES and on Martin Scorcese’s RAGING BULL. Subsequently Mr. Miller became a sound editor on Joel and Ethan Coen’s BLOOD SIMPLE, and went on to collaborate with "the boys" as picture editor of RAISING ARIZONA and MILLER’S CROSSING. His many other cutting credits include Terry Zwygoff’s GHOST WORLD, Herbert Ross’ BOYS ON THE SIDE, Thomas Carter’s SWING KIDS, Rocky Morton and Annablel Jankel’s D.O.A., Keenan Wayans’ I’M GONNA GIT U, SUCKA, Paul Dinello’s STRANGERS WITH CANDY, Michael Bay’s ARMAGEDDON, Rupert Wainwright’s STIGMATA and Anthony Hopkins’ SLIPSTREAM. He also edited Josh Radnor’s HAPPYTHANKYOUMOREPLEASE, winner of the 2010 Sundance Film Festival Audience Award, Mr. Radnor's well-reviewed LIBERAL ARTS, which premiered at Sundance in 2012, and Maya Forbes' INFINITELY POLAR BEAR, which also premiered at Sundance. He is currently a film professor at University of North Carolina School of the Arts.
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